The simplest way to grade cinematically in DaVinci Resolve.
EasyGrade is a real DCTL - actual code running on your GPU & not another locked LUT. That means you get the speed and consistency of a one-click preset, but every slider stays live underneath. Push the halation up on a hero shot. Pull the warmth down on an interview. Swap presets without losing your balance.
The pack ships with five looks designed on real projects. Neutral is your clean, resolved starting point. Sunday is the warm golden interview look. Rush is a pure monochrome. Flare is cinematic bloom with real contrast under it. Vintage is faded memory.
You also get a six-node PowerGrade that wires the whole thing up for you: colour-space transform, white balance, exposure, the DCTL itself, a creative bucket for grain and film effects, and a delivery CST. Right-click a clip, apply, done.
Shot in log? Raw? Phone? Doesn't matter. The DCTL sits in the right place in the chain and handles the rest.
EasyGrade DCTL — 5 built-in presets + 20 fine-tunable sliders
5 × .cube LUTs (Neutral, Sunday, Rush, Flare, Vintage) for on-set monitors and quick edits
EasyGrade PowerGrade — drop-in six-node tree (CST → WB → Exposure → DCTL → Creative → CST)
How to Use — illustrated PDF walkthrough
Install & User Guide — technical reference
Free updates for life
The simplest way to grade cinematically in DaVinci Resolve.
EasyGrade is a real DCTL - actual code running on your GPU & not another locked LUT. That means you get the speed and consistency of a one-click preset, but every slider stays live underneath. Push the halation up on a hero shot. Pull the warmth down on an interview. Swap presets without losing your balance.
The pack ships with five looks designed on real projects. Neutral is your clean, resolved starting point. Sunday is the warm golden interview look. Rush is a pure monochrome. Flare is cinematic bloom with real contrast under it. Vintage is faded memory.
You also get a six-node PowerGrade that wires the whole thing up for you: colour-space transform, white balance, exposure, the DCTL itself, a creative bucket for grain and film effects, and a delivery CST. Right-click a clip, apply, done.
Shot in log? Raw? Phone? Doesn't matter. The DCTL sits in the right place in the chain and handles the rest.
EasyGrade DCTL — 5 built-in presets + 20 fine-tunable sliders
5 × .cube LUTs (Neutral, Sunday, Rush, Flare, Vintage) for on-set monitors and quick edits
EasyGrade PowerGrade — drop-in six-node tree (CST → WB → Exposure → DCTL → Creative → CST)
How to Use — illustrated PDF walkthrough
Install & User Guide — technical reference
Free updates for life